Become a Friend of the Swindon Museumand Art Gallery

For only £15 a year, you can become a Friend and receive information about our talks. To become a Friend or find out more about us, go to the website www.friendsofmas.org

Tuesday, 14 January 2025

Talks 2025

 Talks are now being organised by Carl Gomez who is also looking after the membership.

The list of talks for 2025 is almost complete. We hope to hold them at 7.30pm in the Council Chamber, but that is not certain yet. Full details of all talk will appear on the website when we have them.

Jan 30th - Flis Tattersall on the Shouting Softly project

27th Feb - Mike Allen on the Cerne Abbas Giant

27th Mar - Ann Rachel Harwood on Antarctic Explorer Edward Adrian Wilson

24th Apr- Seriously ...- Miles Franklin and Claire Parsons

29th May - Mark Golder on the artist Stephen Russ

26th June - Michael Gray on the history of Tarot Card art

31st July - Gavin Jones on the art of Tattooing 

28th Aug - Kirsty Hartsiotis on Stained glass in the Arts and Craft movement

Sep 25th tbc

30th Oct tbc

27th Nov - Phillip Garrahan on Swindon Art in the Age of Steam 

Artists in Purbeck: Sense of Place

 I visited this exhibition, Artists in Purbeck: Spirit of Place at Russell-Cotes Art Gallery and Museum at the beginning of January after hearing about the exhibition from its Guest Curator, Dr Gill Clarke MBE who is well known to many of us having been kind enough to give several talks over the years. 

From Swindon it is possible to travel on the train to Bournemouth in 2 hours with one change at Reading, making it feasible to make the trip in a day. I took photos of the exhibition and a few more, of course. The day was very sunny with a cloudless sky, making the outside of Russell-Cotes look even more magnificent than usual:

By the front entrance there was a lovely selection of tender succulents looking undamaged by frost, this was before the hard frosts of the last week.
We had lunch in the Russell-Cotes cafe; here are Sarah and Lyn seen below sitting in front of the enlarged facsimile of one of the paintings of Corfe Castle in the exhibition.
There's a temporary exhibition space at R-C comprising two rooms, below there's a photo of the entrance to the exhibition with the Corfe Castle painting at the centre and depicting the Purbeck area with some information about the exhibition on the right hand side. This area is known as the 'Isle of Purbeck' constituting about sixty square miles with sea on three sides. The dramatic landscape has attracted artists to this area over the twentieth century and this is the first major exhibition devoted to some of the major artists who painted in the area, The Swanage News also had a big spread on the exhibition and also noted the lovely seat in the cafe.
The best way of appreciating the exhibition is to visit, but here are a few of my favourite pieces from the exhibition:
Above this is 'The Blue Pool', 1910, by Augustus John, the blue pool is a landlocked pool near Furzebrook, long since ceased to be a site for Purbeck Ball Clay extraction for tobacco pipe manufacture and pottery, the pool always looks a vibrant blue colour. This is caused by the light refraction of clay particles suspended in the water. John wrote 'This pool.... is always a beautiful turquoise blue, no matter what the sky is like.' The model in the painting is one of his favourite models, Dorelia McNeil.
This is another more recent watercolour and pastel on paper rendition of the 'Blue Pool', 2022 by Felicity House drawn and painted on site. Makes me want to go and visit, although it has been developed into a tourist attraction.
On loan from Pallant House Gallery, this painting 'Near Swanage', 1916 by Mark Gertler is stunning in any exhibition, here it looks wonderfully at home. When he painted this work, he was staying with his patron at Peveril House, he described the 'wonderful country here' to Dora Carrington, he explained: 'from every window one gets a good enough view for painting. The sea surrounds the house on two sides. There is just a bit of garden and then cliff, below which is open sea.'
And a further wow on seeing this acrylic and mixed media piece by Jeremy Gardiner, entitled 'Old Harry Rocks V, 2022 which are captured wonderfully by Jeremy Gardiner. 'Old Harry' was one of twenty locations on the Jurassic Coast painted by him between 2018 and 2022for his series 'Strata'.
Above 'Spray', 1940 by Harold Williamson is a very well known painting probably the location was Dancing Ledge near Swanage where the flat rock juts into the sea and was a site for quarrying stone. Williamson was an art teacher at Bournemouth School of Art and Manchester School of Art. His students where in awe of his life drawing skills and knowledge of anatomy admirably displayed here in the woman's back muscles.
'Coastline Series No.1', 1993 by Martin Brewster is an etching on paper. He has been drawing around the Dorset coast for over thirty five years. The beauty of the promontory has been wonderfully captured along with a small row of coastguard cottages and a chapel which can't be seen in the photo.
My final selection from the many I could have chosen from the exhibition is the one above. It's 'Corfe Castle in the Beauteous Isle of Purbeck', 1940 by Isabel Saul and is tempera on board. This magnificent highly detailed painting was exhibited at the Royal Academy in 1940. It's unsurprising that Saul also produced illustrations for children's books.
This wonderful exhibition left me wanting to find out more about the Isle of Purbeck and visit The blue Pool, Dancing Ledge, Peveril House and Old Harry Rocks. I think a trip to the Isle of Purbeck is necessary to fully understand this exhibition which runs until 16 March.
There is so much to see at R-C apart from the temporary exhibition that I have severely restricted my choices of the 'best bits'. I love William de Morgan tiles and there is a wonderful display at R-C, here one of them above. It's hard to photograph them because of reflections on their case
This painting entitled 'Painter and Model' is by John Minton. It was purchased through the Contemporary Arts Society in 1954 and is a stunning work featuring the artist in the background. The feet of the model are exquisitely depicted and because it's such a large painting, it's a real knock out when you enter the room.
OK the last photo from inside the gallery. 'Gypsy Horse Drovers', 1894 by Lucy Kemp-Welch was exhibited at the Royal Academy while she was still a student. It's a fabulous piece among so many other paintings which could have been included. 
Having spent hours looking at paintings, we went for a cream tea in the cafe and as we emerged from Russell-Cotes, the sun was setting behind the pier.
What a perfect day. Do go and visit the Artists in Purbeck: Spirit of Place exhibition before 16 March if you can.
Other posts on Russell-Cotes include these two:

Saturday, 11 January 2025

October Talk: Curator of the Hardy's Wessex Exhibition

 We  were very fortunate to be able to welcome Harriet Still, one of the UK's leading experts on Thomas Hardy for our October talk. She curated the 2022 Hardy celebration that took place at Dorset Museum, Poole Museum, The Salisbury Museum and Wiltshire Museum, and has now travelled to Museum and Art Swindon.

 She studied English and History at the University of York before managing Hardy's Cottage on behalf of the National Trust. Since this introduction to Hardy, over a decade ago, she has sat on the Council of Management for the Thomas Hardy Society and the Hardy Country steering group, as well as acted in various Hardy productions with the New Hardy Players and played in the Hardy folk band Tatterdemalion. Interestingly Tatterdemalion are holding a Ceilidl tonight at the Corn Exchange in Dorchester. Wish I was nearer Dorchester, sounds like a very interesting band.

Harriet as the Curator of the exhibition and a leading expert on Hardy was able to talk us through his life through the artefacts still in existence, many of which are in the exhibition.
Harriet Still seen below was able to give us a fascinating insight into Thomas Hardy and answered an impressive number of diverse questions after the talk. 
I have been a lifelong admirer of Hardy since I read many of his works in my teens and was captivated by the 1967 film version of Far From the Madding Crowd starring Julie Christie and Terence Stamp. There has been at least one other version since that one, but I don't think anyone could surpass Stamp's depiction of Sergeant Troy.
Are we in Wessex in Swindon? Of course it's a mythical place, but nice to know we're within Wessex.
I realise these photos taken from the screen in the Council Chamber aren't very good, but give a flavour of topics covered. This one depicts urban Wessex, rural Wessex, ancient Wessex and coastal Wessex.

Hardy was born in 1840  in Dorchester and lived until he was 87, in that time he wrote 14novels, several short stories and thousands of poems. He won the Nobel Prize for Literature 25 times and was considered an excellent writer.
Hardy's Cottage can be visited to find out more about where he grew up. There's a great blog post by BaldHiker with many excellent photos and interesting information here.
Hardy had a social conscience as can be appreciated from reading his books, he was interested in equality for women, looking after the poor, employment rights and improving the lot of everyone.
If you haven't already seen the Hardy exhibition at Museum and Art Swindon on the first floor of the civic Offices in Euclid St, it's on until the 8th of February this year. And did you know how the shepherd uses a shepherd's crook to catch sheep?