There's always a concern about the AGM, it must reflect what the Friends have been doing over the last year, including the financial situation from April to April which is slightly confusing since everything else is about what we've been doing since the last AGM.
We had 36 people at last year's event, and this year more were expected to attend because the membership has increased and Hadrian Ellory-van Dekker had said he would unveil the plans for the new museum and art gallery during his speech. Given the restrictions on the gallery at the museum, we took the unprecedented step of hiring the Dance Studio at Swindon Dance in the Town Hall building in Regent Circus. It was perfect and seated the 61 people who attended very comfortably.
Above the auditorium is filling up nicely.
This year we had a slide show with several different members of the committee coming and talking about the year in general, past talks and trips and what we're looking forward to this year. Martin Newman talked about the survey results, followed by Sophie Cummings talking about her year, and then as mentioned already, Hadrian unveiled the plans. They will be on display to the public from December 8 so it was fabulous to have a preview, everyone there was asked to keep them a secret.
I didn't photograph everyone because it seemed a bit intrusive, but here's Ray Ward
and Hadrian
The presentations will be published as soon as I get them on here, although you'll have to wait until after December 8 for Hadrian's.
The very successful AGM was followed by the amazing Paul Murdin, photos to follow on the next blog soon.
Friends of Museum & Art Swindon work to help Museum and Art Swindon to conserve and add to their collections. We aim to help promote MAS by spreading the word about them on social media. Very pleased MAS is now OPEN on the first floor of the Civic Offices in Euclid St.
Become a Friend of the Swindon Museumand Art Gallery
For only £15 a year, you can become a Friend and receive information about our talks. To become a Friend or find out more about us, go to the website www.friendsofmas.org
Tuesday, 29 November 2016
Lunchtime Talk on the Still Life Exhibition
Sophie Cummings gave a talk on the Still Life exhibition, currently being shown in the small part of the gallery as you go in on the right, on Friday 11 November at 12.30pm. There was a good crowd to hear Sophie talking about some of the paintings in the exhibition, I do like this one, Sophie is talking about the fabulous Edward Wadsworth painting and pointing out various aspects of the painting which made me see it differently.
And here's Sophie with the Ivon Hitchen's paintings 'Spring in Eden' and 'The Chinese Bowl'
And onto Lisa Milroy's 'Small Objects' with Walter Poole's 'Still Life' in the background.
And finally in the Still Life exhibition, talking about Desmond Morris's 'The Mysterious Gift'.
And really I can't do better than quote what was said on the website:
Sophie then spent some time walking round the 'From Where I'm Standing Exhibition'.
The next lunchtime talk will be held on Friday 9 December and looks at the current exhibitions, as usual it starts at 12.30pm and lasts until about 1pm.
And onto Lisa Milroy's 'Small Objects' with Walter Poole's 'Still Life' in the background.
And really I can't do better than quote what was said on the website:
'A still life is a work of art depicting an arrangement of
inanimate objects, such as fruit, drinking glasses or bolts of fabric.
Although it is one of art’s more traditional subjects, modern artists
still find innovative and engaging ways to depict objects.
This small exhibition celebrates still life paintings from the Swindon Collection of Modern British Art. Designed to complement ‘From Where I’m Standing’, it shows how artists depict three dimensional objects in paint, pencil and ink. The exhibition includes important paintings by major British artists including Edward Wadsworth, Ivon Hitchens and Stephen McKenna. The exhibition also includes work by artists with a Swindon connection, including Walter Poole, Desmond Morris and Peter Ferguson'.
This small exhibition celebrates still life paintings from the Swindon Collection of Modern British Art. Designed to complement ‘From Where I’m Standing’, it shows how artists depict three dimensional objects in paint, pencil and ink. The exhibition includes important paintings by major British artists including Edward Wadsworth, Ivon Hitchens and Stephen McKenna. The exhibition also includes work by artists with a Swindon connection, including Walter Poole, Desmond Morris and Peter Ferguson'.
The next lunchtime talk will be held on Friday 9 December and looks at the current exhibitions, as usual it starts at 12.30pm and lasts until about 1pm.
Thursday, 10 November 2016
List Swindon: an SCV talk from Martin Newman
Last week Martin Newman, listing information manager at Historic England, gave a fascinating illustrated talk at the Central Community Centre to a group of Civic Voice members, the links to Facebook below take you to the event page, and Civic Voice's page.
https://www.facebook.com/events/1208703092524628/
https://www.facebook.com/swindoncivicvoice/
This was the first of their autumn talks.
The first 20 buildings listed in October 1951 in Swindon included Apsley House, the current home of Swindon Museum and Art Gallery
Other photos of the 659 listed buildings:
and as you can see more recent listings, including the former technical college on Victoria Hill
and this fascinating map of the listed buildings, scheduled monuments and registered parks and gardens:
What was it all about?
All of the sites with national heritage protection statuses are published by Historic England on the National Heritage List for England. Swindon has 659 Listed Buildings, 53 Scheduled Monuments and 3 Registered Parks and Gardens.
This talk will look at the history of statutory protection of our historic sites with examples from Swindon from the first designations over 100 years ago to the most recent listings in Swindon. It will also look at the latest developments including a project recruiting volunteers to help Historic England, Enriching The List.
Martin Newman is the Listing Information Manager at Historic England.
He began his historic environment career as an archaeologist having read Archaeological Sciences at the University of Bradford. He is a Member of the Chartered Institute for Archaeologists and a Fellow of the Society of Antiquaries, he is also an information management professional with a Chartership from CILIP. Recently he has been working with Civic Voice nationally to engage local Civic Societies in helping Historic England improve the information available about listed buildings. Martin has lived and worked in Swindon since the mid-1990s and is a member of Swindon Civic Voice, he is also the Local Heritage Ambassador for the Royal Society of Arts.
We help people understand, enjoy and value the historic environment, and protect it for the future. Historic England is a public body, and we champion everyone’s heritage, across England.
Saturday, 5 November 2016
Mark Golder in Conversation with Patricia Volk and Mary-Jane Evans
Last Tuesday there was the second of the 'in conversation' events in the gallery with two of the ceramicists taking part in the exhibition From Where I'm Standing: Contemporary Ceramics and the Swindon Collection. Ten ceramicists have spent the last year produced new ceramic work influenced by their selection of one or two pieces from the collection.
Patricia Volk took Howard Hodgkin's 'Gramophone' and John Nash's 'Buoys' as her inspiration for her pieces which is several pieces arranged together, seen below:
and Mary-Jane Evans took Charles Howard's 'Painting 1'as her piece, and produced 4 curved shapes with twisted metal woven into their fabric:
Patricia has now moved away from making heads and now produces large rounded structures.
Mary-Jane took us on her personal journey of producing ceramics as a driving force in her life once she discovered it. The first piece she ever sold was to Mark Golder at The Black Swan Gallery in Frome, and you can see a poor photo of the bowl 'Blue Pool' below
The audience asked questions and then each artist went and talked about the fine details of their piece
above Patricia and below Mary-Jane
It was a really splendid evening, many thanks for Mark Golder for making the evening so entertaining and to Mary-Jane and Patricia for such fascinating insights into their work.
In 2015, Mark Golder and Brian
Thompson gifted more than 50 ceramics to Swindon Museum and Art Gallery
in memory of their friend, Ron Sloman. He has works by both Particia and Mary-Jane so it worked really well for him to encourage them to talk about their work.
Here they are before starting the evening:
Mark had prepared a series of slides in chronological order, so the artists were able to talk about the development of their practice. Patricia started and talked about her obsession with heads, you might be able to see this group arranged around a tree in Hannah Peschar sculpture garden.
A place which looks well worth visiting when it opens again next spring.Mary-Jane took us on her personal journey of producing ceramics as a driving force in her life once she discovered it. The first piece she ever sold was to Mark Golder at The Black Swan Gallery in Frome, and you can see a poor photo of the bowl 'Blue Pool' below
The audience asked questions and then each artist went and talked about the fine details of their piece
It was a really splendid evening, many thanks for Mark Golder for making the evening so entertaining and to Mary-Jane and Patricia for such fascinating insights into their work.
Friday, 4 November 2016
Kate Tryon Paintings Conservation Talk
Last Friday Collections Manager at the museum gave a free talk on our collection of Kate
Tryon oil paintings and how these reflected Swindon as it was 100 years
ago. During last week, conservators from
Brick House Conservation cleaned these wonderful paintings to
help restore them to their former glory. Here's Stef Vincent introducing us to one of Kate's paintings, firstly she gave us some background into the painter of these remarkable oil paintings which shed a different light on them, and explained why there were 15 at the Richard Jefferies Museum until recently.
Kate Tryon 1865-1952, was resident in the USA and a great follower of Richard Jefferies' writing, so thought she'd come and paint the land he wrote about, producing around 35 oil paintings, she took them back to the States when she returned there in 1912. They were donated to Swindon Museum and Art Gallery by her daughter in 1961, some have remained at Richard Jefferies Museum since then, and others have been in storage. Last week, they were brought together for the first time since then for restoration.
We were given fascinating insights into care of paintings, they should be displayed for only a third of the time, and rested in storage for the other two thirds of the time, so ideally the paintings that have been on display at the RJ museum, would be kept in storage for the next 150 years!
Apart from taking the paintings out of their frames, and sitting them on a strip of velvet, the backings have been examined and soaked to reveal layers of labels indicating different ideas in presenting the paintings. Below is an example of a painting with 5 labels on it.
At one time cleaning paintings used to involve scrubbing them with washing up liquid, the process is of course more refined now. Swabs are used to clean off dirt from coal fires, seen here as grey deposits, and tar from the copious amounts of smoke that would have billowed around them over the years.
There are also places on the paintings where the paint has disappeared, so another job is adding paint to these areas, but because this is conservation as opposed to restoration, the process is very gentle and doesn't involve a permanent change.
As you can see, we were right in there looking at the conservation in progress, what a privilege to be able to such at such close quarters what was being done to the paintings, and to be able to examine them.
Kate made many of her own frames, carving oak leaves and swirly patterns into the wood, we then had a look at some of the paintings
Above 'Cottage Bouquet', and below a 'Wiltshire Cottage'
An example of the carving of an oak leaf
I particularly loved this bouquet, Kate had collected wild flowers form the Downs to make 'Flowers of the Wiltshire Downs'
This one is 'Kitchen Garden at Burderop Park'
and this one 'Gamekeeper's Cottage, Hodson'
The paintings have a lovely quality to them, painted in the days when Swindon was a village filled with thatched cottages and floriferous gardens. How can you see these paintings? They will be on display on the the stairs in the Swindon Museum and Art Gallery, and 10 will be displayed at the Richard Jefferies Museum, and some will be 'rested' in storage.
I looked up Kate Tryon and found there's a book based on her writings and paintings available on the
Richard Jefferies museum website
Here's some of the information about the book:
The memoir is published in a limited edition of 100 copies one hundred years after it was written. There are about 100 photographs and illustrations, mostly the work of Kate Tryon herself. 27 of her original oil-paintings are reproduced in colour.
I've now got a copy of the lovely book, mine is number 80, so presumably there are 19 left, better get moving if you'd like one!!
Kate Tryon 1865-1952, was resident in the USA and a great follower of Richard Jefferies' writing, so thought she'd come and paint the land he wrote about, producing around 35 oil paintings, she took them back to the States when she returned there in 1912. They were donated to Swindon Museum and Art Gallery by her daughter in 1961, some have remained at Richard Jefferies Museum since then, and others have been in storage. Last week, they were brought together for the first time since then for restoration.
We were given fascinating insights into care of paintings, they should be displayed for only a third of the time, and rested in storage for the other two thirds of the time, so ideally the paintings that have been on display at the RJ museum, would be kept in storage for the next 150 years!
Apart from taking the paintings out of their frames, and sitting them on a strip of velvet, the backings have been examined and soaked to reveal layers of labels indicating different ideas in presenting the paintings. Below is an example of a painting with 5 labels on it.
At one time cleaning paintings used to involve scrubbing them with washing up liquid, the process is of course more refined now. Swabs are used to clean off dirt from coal fires, seen here as grey deposits, and tar from the copious amounts of smoke that would have billowed around them over the years.
There are also places on the paintings where the paint has disappeared, so another job is adding paint to these areas, but because this is conservation as opposed to restoration, the process is very gentle and doesn't involve a permanent change.
As you can see, we were right in there looking at the conservation in progress, what a privilege to be able to such at such close quarters what was being done to the paintings, and to be able to examine them.
Kate made many of her own frames, carving oak leaves and swirly patterns into the wood, we then had a look at some of the paintings
Above 'Cottage Bouquet', and below a 'Wiltshire Cottage'
An example of the carving of an oak leaf
I particularly loved this bouquet, Kate had collected wild flowers form the Downs to make 'Flowers of the Wiltshire Downs'
This one is 'Kitchen Garden at Burderop Park'
The paintings have a lovely quality to them, painted in the days when Swindon was a village filled with thatched cottages and floriferous gardens. How can you see these paintings? They will be on display on the the stairs in the Swindon Museum and Art Gallery, and 10 will be displayed at the Richard Jefferies Museum, and some will be 'rested' in storage.
I looked up Kate Tryon and found there's a book based on her writings and paintings available on the
Richard Jefferies museum website
Here's some of the information about the book:
Kate
Tryon visited ‘Jefferies Land’ six times in the early 1900s. She was an
ardent admirer of the nature writing of Richard Jefferies and followed
his philosophy of life. Having re-read his works many times, she wanted
to capture scenes on canvas that had inspired the author’s words set
around Jefferies’ birthplace and home – a small dairy farm at Coate set
in the foothills of the North Wessex Downs. Her first visit to north
Wiltshire took place in 1910. She wrote: ‘The lark, the nightingale and
Richard Jefferies – those are the three things that brought me to
England.’ Her ‘adventures’ are told through the third person of Eleanor
Hale of Boston, albeit that some of the events relate to Kate’s later
visits to the area.
'Adventures in the Vale of White Horse 'Jefferies Land' is a charming memoir – the writing is fluent, relaxed and often
amusing. She knows her Jefferies thoroughly and her quotes and allusions
are always apposite. As an American she takes a wry, oblique but deeply
affectionate look at English rural society just before the outbreak of
the First World War and dispenses much valuable information about the
people and places she meets. The artist’s grand-daughter, Kate Schneider, visited Coate in September 1997. She donated her grandmother’s manuscript. Sheila Povey,
who showed the American visitor around the Richard Jefferies Museum,
has documented the memoir and added photographs and pictures that only
enhance this delightful tale. The memoir is published in a limited edition of 100 copies one hundred years after it was written. There are about 100 photographs and illustrations, mostly the work of Kate Tryon herself. 27 of her original oil-paintings are reproduced in colour.
I've now got a copy of the lovely book, mine is number 80, so presumably there are 19 left, better get moving if you'd like one!!
Sam Herman in conversation with Graham Cooley
This evening event was our October talk at the museum, it was a wonderful evening, like something from an Arena film set; the presentation of the event was so professional, and impressive. Sam Herman is a contemporary glass artist, sculptor and painter who is credited as one of the founders of the Studio Glass movement in Britain. His work is in collections all over the world, and Sam has studios in Spain, London and nearby Cirencester. He was in conversation with Graham Cooley, a local collector who has an extensive collection of painting, ceramics and glass including many works by Sam. Indeed all the photographs of glass seen below were brought to the museum by Graham so we could have a look at some of his collection.
The evening was introduced by Ray Ward who had arranged this wonderful evening:
And here's Sam looking very relaxed as he explained one of the many slides prepared by Graham outlining Sam's long and successful career
And here's Graham Cooley leading Sam through his career by slides and questions
And below here's a taste of the glass made by Sam Herman over the years
What a wonderful evening thank you so much to Sam Herman for sharing his practice with us; for Graham Cooley who had researched his subject so well, and for bringing his glass for us to see. And once again to Ray Ward for encouraging both Sam and Graham to come to give us such a good time.
The evening was introduced by Ray Ward who had arranged this wonderful evening:
And here's Sam looking very relaxed as he explained one of the many slides prepared by Graham outlining Sam's long and successful career
And here's Graham Cooley leading Sam through his career by slides and questions
And below here's a taste of the glass made by Sam Herman over the years
What a wonderful evening thank you so much to Sam Herman for sharing his practice with us; for Graham Cooley who had researched his subject so well, and for bringing his glass for us to see. And once again to Ray Ward for encouraging both Sam and Graham to come to give us such a good time.
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